mtvessel: (Default)

Jun 2025
The Moon is a Harsh Mistress - Robert A Heinlein – Hodder & Stoughton, 2014
* * * *
I picked this one up after Whitney of the Secret Sauce of Storycraft YouTube channel reviewed the Hugo winners of the 1960s and recommended it. It's been a long while since I read a Robert Heinlein so I was interested to see if the passage of time has worn away his magic as one of the three gods of golden age SF. Pleasingly, the answer is no - while there are definitely flaws (we'll get to those), the worldbuilding is excellent, the characters are engaging, and after a slow start, the plot becomes gripping. And while I would describe Heinlein's writing style as blokey, it's definitely readable.
( Read more... )
mtvessel: (Default)

Apr 2025 / Sep 2025 / May 2026 / Sep 2026
Paladin's Grace / Paladin's Strength / Paladin's Hope / Paladin's Faith - T. Kingfisher – Orbit, 2023 / Red Wombat Studio, 2021 / 2021 / 2023
* * * * / * * * * / * * * * / * * *
One of the joys of tabletop roleplaying games is just how unexpected the players can be. I've always considered the paladin character class to be one of the least interesting to play, with their inflexible morality and lack of nuance, and so I certainly wasn't expecting there to be two PC paladins in my current campaign (played brilliantly, I might add). In the case of my players, I suspect that their inspiration may have been the Bridgerton actor Regé-Jean Page, whose pitch-perfect performance as the paladin Xenk Yendar in the criminally underrated Dungeons and Dragons: Honor Among Thieves movie was a standout cameo. I'm not sure what T. Kingfisher's excuse is for writing four books about paladins, but with one major caveat, I'm not sorry that she did.
( Read more... )
mtvessel: (Default)

Mar 2024 / Sep 2024 / Apr 2025 / Sep 2026
The Sharing Knife: Beguilement / Legacy / Passage / Horizon - Lois McMaster Bujold – Spectrum Literary Agency, Inc., 2006 / 2007 / 2008 / 2009
* * * *
The misquote from Oklahoma seemed appropriate because this is a fantasy with a strongly midwestern feel. It is set in the Wide Green World, a country of lakes, rivers and mountains that is cold in winter and hot in summer. There are two human cultures - farmers, settled frontierspeople straight out of Little House on the Prairie, who till the land and farm sheep and cattle, and Lakewalkers, Native American analogues with magical abilities, who patrol the country looking for malices, corrupting intelligences that enslave animals and people. For complicated reasons, farmers and Lakewalkers do not get along, despite their mutual dependence. Which makes it a big deal when Dag, a lakewalker, and Fern, a farmer's daughter who had been made pregnant by a swain who refused to marry her, meet in dramatic circumstances and fall in love. But will this Romeo and Juliet-style mismatched alliance survive when their families and friends are against it?
( Read more... )
mtvessel: (Default)

Feb 2025
The Genetic Book of the Dead - Richard Dawkins – Head of Zeus, 2024
* * * *
It is fifty years since the publication of Dawkins' most famous book,The Selfish Gene, so I thought it was time to see if he had had any second thoughts about his famous idea. After all, biology, biochemistry and ecology have developed enormously in that period, with new and astonishing discoveries almost every week. Is it time to admit, perhaps, that his original gene's eye view of evolution was simplistic or maybe even wrong? Anyone who has seen Dawkins' encounters with religious types will perhaps be unsurprised to learn that the answer to that is "no, not at all". But he has come up with a new take on it which incorporates some of the recent science and leads to an interesting new idea.
( Read more... )
mtvessel: (Default)

Jan 2025 / July 2025 / Feb 2026
Heroes / Troy / Odyssey - Stephen Fry – Penguin, 2019 / 2021 / 2025
* * * * / * * * * / * * * * *
These three follow-ups to the author's previous Mythos do something rather impressive, in that they give a shape to the whole of Greek mythology. I'd never really thought about it before, but you can trace a through-line of steady humanisation from the epic tales of the struggles of Zeus and his generation of gods against the Titans, to the semi-divine superheroes such as Herakles and Jason, to the mighty heroes of the Iliad, to the fully human figures of Penelope and Telemachus in the Odyssey. Read this way, the Greek myths become the records of the bards and storytellers of Homer's time learning to centre their tales around actual lived human experience rather than epic abstractions. It is the art of storytelling evolving in front of our eyes.
( Read more... )
mtvessel: (Default)

Dec 2024
Augustus - John Williams – Vantage, 2003
* * * *
Multi-viewpoint novels have somewhat gone out of fashion of late in favour of extreme first person or third person narratives focusing on one or two characters, which is a shame because I much prefer the opportunities for nuanced story-telling and examination of themes that they offer. Granted, they can be difficult to write - readers may become frustrated if a viewpoint character whom they particularly like has to take their turn with other characters with whom they have less sympathy - but when done well (as here) they provide a satisfying richness that single-viewpoint novels cannot manage.

In this case the theme is a person; Augustus, the Roman Emperor who succeeded Julius Caesar, whose life and times are explicated in fictional letters written by his family, friends and enemies. What’s great about this is that the characters can speak directly for themselves without needing to be introduced or commented upon, and the text has a freshness and immediacy that would be unachievable if it had been forced into a more conventional first person or third person narrative. Although we do not hear from the man himself until right at the end of the book, the insights of his friends and the baffled remarks of his enemies build up a very effective portrait of a man forced into a public persona that is sometimes at odds with his private wants, not least in his treatment of his daughter Julia, whom he exiles for breaking adultery laws that he himself had enacted. We do get Julia's viewpoint in the second half through excerpts from her journal, and there are letters from Cleopatra, Augustus' wife Livia, and his sister Octavia, but it has to be said that the majority of the novel is somewhat male-dominated, as might be expected from the sources on which it is based. Other than that, though, this is a fine and compelling read.
mtvessel: (Default)

Feb 2024 / Dec 2024
Legends and Lattes / Bookshops and Bonedust - Travis Baldree – Tor, 2022/2023
* * * * / * * * *
They're so annoying. Those alliterative titles, clearly intended to evoke early roleplaying games (Dungeons and Dragons, Tunnels and Trolls, Call of Cthulhu). They're so trite and twee.

And yet.

The setting - about as generic a fantasyland as you can imagine. No history, no attempt to give character to the land in which the stories are set, barely a mention of political or religious institutions. Both books have cities with a city watch, but no indication of who controls them or how it all gets paid for.

And yet.

The peoples are standard fantasy fare, largely drawn from D&D. The characters are orcs, elves, dwarves, humans, gnomes and ratkin (Warhammer skaven). Oh and a "succubus" who from her description is actually a tiefling. There's some mild racism but otherwise very little to delineate them.

And yet.
( Read more... )
mtvessel: (Default)

Dec 2023 / Nov 2024
Bring up the Bodies / The Mirror and the Light - Hilary Mantell – Fourth Estate, 2012 / 2020
* * * * / * * *
These continuations of the life of Thomas Cromwell begun in Wolf Hall present an interesting contrast. Bring up the Bodies is a tight sequel, twenty-five percent shorter than the original, that maintains its propulsive drive as it tells the story of Anne Boleyn's brief reign as queen and Cromwell's orchestration of her downfall. There is a closer focus on Cromwell's point of view which fixes the major stylistic issue of wavering narrative viewpoint, and the way in which realpolitik, Cromwell's subtle vengeance on his detractors, and Henry's and Annes's character flaws combine to make her end inevitable is fascinating.

By contrast, The Mirror and the Light is twenty-five percent longer than the original, which was a mistake. Cromwell starts off as the king's most trusted advisor and remains that way for the vast majority of the book, which means that events don't really affect him until right at the end. Instead we get a lot of worldbuilding, courtly politics, and threats from rivals, but because the reader already knows where this is all going, these are not compelling. It is a classic example of what I like to call fantasy author's bloat, the tendency for big name writers to produce fat, self-indulgent novels in which plot development and pacing is undermined by excessive worldbuilding (in this case, historical detail), abetted by pusillanimous editing. It's still readable, but frankly there were some longeurs.
mtvessel: (Default)

May/June 2024
The Obelisk Gate / The Stone Sky - N.K. Jemisin – Orbit, 2016, 2017
* * * / * * *
Well, her ending was a little different at least. As I said previously, these books have a geologically-themed magic system that is similar to one that I came up with for roleplaying purposes when a teenager. This gets developed over the following two books, but in a wild ad-hoc way that I would have been fine with when I was younger but do not find satisfactory now.
( Read more... )
mtvessel: (Default)

May 2024
Doomsday Book - Connie Willis – Gollancz, 2012
* * * *
The author, as I have remarked before, has a writing style similar to minimalism in modern music, by which I mean that her characters find themselves circling in repetitive situations as the plot slowly develops. This is also true of her shared world of books featuring time-travelling Oxford academics, which repeat tropes (researchers getting trapped in the past) and characters (such as Professor Dunworthy) from book to book, whilst doing something different each time thanks to the varying historical periods visited and the theme that each book has. This one is the first of the full length novels set in this world, and has the advantage of freshness as a result.
( Read more... )
mtvessel: (Default)

Apr 2024
Unruly - David Mitchell – Michael Joseph, 2023
* * *
If you come at the king, you best not miss. The definitive humorous history of Britain, 1066 And All That, was written almost 100 years ago, and no-one has ever managed to match its density of jokes and its subversive take-down of both the great man and enlightenment models of history. This book, by someone I shall be forced to tag as "David Mitchell (comedian)" to distinguish him from the novelist of the same name, is a better attempt than some, but still misses by miles.
( Read more... )
mtvessel: (Default)

Mar 2024
The Left Hand of Darkness - Ursula Le Guin – Orbit, 2017
* * *
At the risk of appearing a contrarian, I have to say that I don't think that this is Le Guin's finest work. The consensus among SF fans is that it is one of her best, but it is also one of her earliest and to me that shows. The premise is very interesting: on the planet of Winter, or Gethen, humanity has developed a sexual cycle where people are androgynous and celibate most of the time, but become male or female at random during a short mating period each month known as kemmer. But to me this wasn't reflected in the depiction of the cultures of Geth, which had rather too many Asian referents to be comfortable. For example, the King's cousin in Karhide is described as having "a yellow face all webbed … with wrinkles" and the story's main protagonist, Genly Ai, an envoy from the confederation of planets known as the Ekumen, comments on the fact that the locals pronounce his first name as "Genry" because they struggle with the L sound, which now reads as astonishingly crude stereotyping. The brutal courtly politics and the heavy emphasis on shifgrethor, or honour, also felt like a westerner's interpretation of Japanese or Chinese historical cultures seen through a very thin SF veil rather than a natural outworking of the main idea.
( Read more... )
mtvessel: (Default)

Mar 2024
Dangerous Visions - ed. Harlan Ellison – Blackstone Publishing, 2024
* * *
This collection, first published in 1967, is credited with dragging SF kicking and screaming out of the golden age and into the new wave. Ellison solicited and got stories that the mainstream SF publications of the late sixties would not have touched - visions too political, too violent, too sexy. Of course, time will have tempered their edges, but I wanted to see if they still retained their bite. On the whole, I have to say - no, they haven't. Though there are a few good ones.
( Read more... )
mtvessel: (Default)

Nov 2023 - Jan 2024
The Count of Monte Cristo - Alexandre Dumas, tr. David Coward – Oxford World's Classics, 2008
* * *
This is an oddly structured book. The first 200-odd pages is an exciting adventure tale starring Edmond Dantès, a dashing midshipman promoted beyond his years for his heroic qualities, and featuring evil conspirators, lovers torn asunder, Napoleonic spies, family secrets, a prison break and an Arabian Nights-style quest for fabulous treasure. But then it bizarrely veers into social comedy set in Rome at carnival time, introducing two characters, Albert de Morcerf and Franz d'Epinay, who have nothing to do with what's happened previously, and featuring what is perhaps the most insouciant kidnapping by bandits in literature. The rest of the book (around 800 pages) remains firmly focused on the French upper classes, with the action transferring to post-Napoleonic Paris where Edmond hatches a set of improbable plots (in even more improbable disguises) to ensnare and bring down those who have wronged him.

Apparently this was an editorial decision. Dumas wrote the opener at the request of his publisher to explain Dantès' motivations, and it evidently got away from him. It's a shame because it is by far the most compelling part of the book.
( Read more... )
mtvessel: (Default)

Oct 2023
Some Desperate Glory – Emily Tesh – Orbit, 2023
* * * *
In my previous review of this author's work, I expressed the hope that she would try something at novel-length so that her characters could breathe a little. I'm pleased to say that she has delivered. This is a thoughtful novel about a soldier learning that the universe is not what she thought, and what it lacks in subtlety is made up for in good characterisation, world-building, and plot.
( Read more... )
mtvessel: (Default)

Jan-Mar, Aug-Sep 2023
Asimov’s Guide to Shakespeare – Isaac Asimov – Wings Books, 1970
* * * *
So this is a bit outrageous. It is a 1500-page commentary on all 38 of Shakespeare’s plays and two epic poems, written by an author most famous for stories about robots and intergalactic politics. What could a science fiction writer possibly have to add to the centuries of analysis and criticism that have been lavished on these texts? I can almost hear the sneers of the literary establishment from here.

Well, to some extent the establishment is right. If you want deep insights into Shakespeare's language or his characters, you won’t find them here. What you will get is a refreshing new approach which focuses on explaining the mythic and historical contexts behind the plays. It’s not entirely successful, but it is interesting.

( Read more... )
mtvessel: (Default)

Aug 2023
Uproar! - Alice Loxton – Icon Books, 2023
* * *
I have always enjoyed political caricature, particularly when it is imaginatively venomous. Gerald Scarfe's and Steve Bell's drawings of Margaret Thatcher and John Major are engraved on my memory and were a comfort during the long years of Tory rule in my youth. In a functioning democracy, political caricature and satire are essential to express the frustration of those whom the electoral system has left unrepresented, and it is saddening to see that the mainstream expressions of these are becoming increasingly tired and anodyne. While I refuse to accept the definitions of "cancel culture" promulgated by right-wing critics, I do worry that the calling out of violent, racist, misogynistic or homophobic opinions, necessary though that probably is in our social media-dominated landscape, might be inhibiting caricature's crude energy.

This is an interesting history book that is let down by its style. I strongly suspect that it will be unreadable in twenty or thirty years' time. Which is a shame, for its story of the rise of eighteenth century political caricature, and the popular if ultimately unsuccessful rebellion against an overmighty state that it represented, is as relevant today as it was 250 years ago.
( Read more... )
mtvessel: (Default)

Aug 2023
The Three-body Problem – Liu Cixin, tr. Ken Liu – Head of Zeus, 2014
* * * *
I'm amazed he got away with it. This novel opens with a depiction of the Cultural Revolution that is decidedly less than complimentary towards the Communist Party, emphasising the brutal repression and shaming that forced Chinese academics into conformity. It motivates one of the main characters, Ye Wenjie, though she isn't the main viewport character. That is Wang Miao, a materials scientist who, along with crude but effective detective Da Shi, is co-opted into an international investigation of the deaths by suicide of several prominent scientists. The trail leads to a mysterious organisation known as the ETO and a virtual reality game called Three Body. Wang becomes increasingly obsessed with the game, which may hold the key to the mystery.

This is a hard science fiction novel that reminded me strongly of my teenage explorations of the books of Arthur C. Clarke. Like them, it suffers from cold characterisation and an overly talky plot that only occasionally bursts into action, but the ideas on which it is based are top notch and the Chinese historical and cultural themes make it a more interesting read than its western equivalents. It won't be for everyone, and it's annoying that the book just ends in media res, but I will probably pick up its sequels to see what happens next.

Profile

mtvessel: (Default)
mtvessel

November 2026

S M T W T F S
1 234567
8 91011121314
15161718192021
22232425262728
2930     

Syndicate

RSS Atom

Tags

Style Credit

  • Style: Midnight for Heads Up by momijizuakmori

Expand Cut Tags

No cut tags
Page generated Nov. 12th, 2026 09:57 pm
Powered by Dreamwidth Studios