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Oct 2021
Winter of the Witch - Katherine Arden – Del Rey, 2019
* * *
So after the quasi-historical The Girl in the Tower, we are back in fantasyland with a bump as the events at the end of that book have bad consequences for Vasya, our heroine. However, the historical thread is not lost, particularly as it becomes apparent that Arden is building up to a showdown at a significant real-world event.

There are a few missteps, such as an unnecessary death towards the end that was clearly a clumsy attempt to introduce pathos. And the central romantic relationship between Vasya and Morozhko still did not work for me, mainly because I couldn't help feeling that the Lord of Winter and Death would be rather - well, chilly - as a lover. But the biggest problem is the hero's journey. In this book, Vasya becomes such a powerful witch that any dramatic tension in the final scenes is lost, similar to Vin in Brandon Sanderson's Mistborn trilogy. To be an effective story, a hero needs to struggle right through to the end. But all in all, this is a satisfying conclusion to the trilogy in which Arden manages to expand both the folkloric and historical settings of the previous books. Her skills as a writer are clearly developing and it will be interesting to see what she comes up with next.
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Apr 2020
The Girl in the Tower - Katherine Arden – Del Rey, 2017
* * * *
In my review of the The Bear and the Nightingale, I praised the depiction of mediaeval Russian politics and village life but was less enamoured by the invented folk tale elements. Pleasingly, Arden has leaned into the former and downplayed the latter in this second volume, making for a more grounded and interesting story. But it has revealed a mismatch between the setting and the protagonist which may be a problem.
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Jan 2019
The Bear and the Nightingale - Katherine Arden – Del Rey, 2017
* * *
This is a nicely written Russian folktale about Vasya, a young girl who can see spirits, as she grows up in a small village in a wood where Things are stirring. It reminded me a lot of Naomi Novik's Uprooted but with a more domestic focus. Given that the author is American, I was impressed by how Russian it felt, both in the heavily paternalistic social dynamics of the family and in the mediaeval politics (although this particular plot thread is dropped fairly early on, presumably to be picked up in sequels). The appearances of the spirits - domovoi, leshy, rusalka and dvorovoi - are handled in an excellently dream-like way.

There are a couple of flaws. The bad Christian versus good Pagan theme, exemplified by Father Konstantin, an overly zealous priest, and Anna, a stepmother who sees spirits but refuses to believe in them, is a little tedious. And the titular bear and nightingale were disappointing, with the former being a powerful but ill-defined antagonist with no real ursine qualities, and the latter not a bird at all. Arden uses existing folk traditions well, but isn't so good at inventing new ones.

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